RICK HINTZE

BORN OF THE SOIL

FEBRUARY 17, 2022 – APRIL 16, 2022

THREE TWO ONE CANAL STREET
NEW YORK, NY 10013

INFO@RWGUILDGALLERYNY.COM
646 693 0279

PRESS RELEASE

Installation

Works

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

14.5"H X 12.5"DIA

RH-CV01

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

17"H X 15.25"DIA

RH-CV02

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

12"H X 13.25"DIA

RH-CV04

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

21.5"H X 20"DIA

RH-CV05

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

18.75"H X 13.75"DIA

RH-CV06

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

17"H X 16.25"DIA

RH-CV07

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

18.5"H X 10"DIA

RH-CV08

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

16.75"H X 13"DIA

RH-CV09

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

17.5"H X 12"DIA

RH-CV10

Untitled

2010-2021

STONEWARE, IRON STAIN, WHITE CRACKLE SLIP

11.75"H X 12.75"DIA

RH-CV11

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

22.25"H X 10.75"DIA

RH-CV12

Untitled

2010-2021

STONEWARE, IRON STAIN, CLAY and WOOD ASH SLIP

9.5"H X 13"DIA

RH-CV13

About the Show

Words by Elizabeth St. George

Ancient in their gesture, Rick Hintze’s pots have seemly emerged from the earth. Carefully coiled and shaped, they are made of the humblest of materials, clay, red-iron oxide, and wood ash. Their surfaces are marked with his hand’s focused, deliberate movement and their textures born from spontaneous interactions with the natural elements, earth and air, fire and water.

 

HINTZE USES A COIL AND PINCH METHOD, ADDING ONE COIL AT A TIME TO BUILD LARGE, STATUESQUE, FINELY BALANCED WORKS THAT MERGE THE ANCIENT AND THE MODERN.

HINTZE USES A COIL AND PINCH METHOD, ADDING ONE COIL AT A TIME TO BUILD LARGE, STATUESQUE, FINELY BALANCED WORKS THAT MERGE THE ANCIENT AND THE MODERN.

Proud in their address, Hintze describes his work as having, “stature, posture, and presence.” Regardless of their shape or size, empty or full, the pots have a monumentality to them that does not intimidate, but rather has the familiarity of a cooking pot for the hearth. He imagines his pots as having an activating energy, a kinetic space around them as the viewer shifts their gaze and body’s position. The sensation is of a modest quality, inviting contemplation and reverence, as well as a strong desire to touch and connect with millennia-old traditions.

With a desire to allow materials to express their inherent characteristics, Hintze is an artist guided by process. He works slowly. Coiling each stratum thoughtfully, he begins with a vision for a work, but embraces the pure joy of making. He often does not remember what guided a particular action, confident in his absorption of knowledge and craft.

 

2010-2021, STONEWARE, IRON STAIN, CLAY AND WOOD ASH SLIP, 22.25”H X 10.75” DIA, RH-CV12

“POTS HAVE A BELLY, A FOOT, A NECK, THEY HAVE A SORT OF PRESENCE. I WOULD BE HAPPY IF I MADE SOMETHING WITH A PRESENCE.”

– RICK HINTZE

 

2010-2021, STONEWARE, IRON STAIN, CLAY AND WOOD ASH SLIP, 21.5”H X 20”DIA, RH-CV05

INSTALLATION VIEW, STONEWARE, IRON STAIN, CLAY AND WOOD ASH SLIP, VARIABLE DIMENSIONS

Indeed, Hintze is part of a strong linage of Midwestern American potters. Some studied Japanese Mingei with the great Warren MacKenzie and pushed that philosophy. Others like Hintze’s mentor, Henry Joe, art professor at Knox College, advocated a broader approach that encouraged surrendering to the material and process of creating. Hintze’s practice is centered on this idea, as well as the history of art and ancient techniques and principles. While careful to separate function from context, from travels and looking at great collections in museums, Hintze has been stimulated by the work of Neolithic artists, as well as 20th century women African potters.

Immersed in ample craft tradition, Hintze’s pots are not literal or archaeological of a particular culture or time. Rather, they respectfully exist on their own terms, inserting themselves into wisdoms and lore passed on from potter to potter for decades.