Ludmilla Balkis

Grasp The Mountains,
Then Let Them Go

APR 24, 2025 – JULY 10, 2025

OPENING RECEPTION
APR 24, 2025 | 6-8PM
OPEN TO PUBLIC

THREE TWO ONE CANAL STREET
NEW YORK, NY 10013

INFO@RWGUILDGALLERYNY.COM
646 693 0279

PRESS RELEASE

ARTIST SURVEY

Installation

Works

2000M Below

2025

Mixed clay, hay and ash glaze with shiny white glaze, iron oxide on the rim.

23.6" H X 26.75" DIA

LB2515

2000M Of Ascent

2025

Mixed clay, porcelain sand, porcelain slip.

21.65" H X 31.5" DIA

LB2510

A Pilgrim

2025

Sanded white stoneware with local stones, speckle glaze interior.

15.75" H X 30.3" DIA

LB2508

Erosion

2025

Mixed clay with volcanic glaze.

18" H x 26.76" DIA

LB2503

In the Forest The Path Was Frozen

2025

White sanded clay with porcelain stones, speckle glaze interior, matte white glaze exterior.

15.75" H X 21.7" DIA

LB2507 - SOLD

Let The Fern Carry You

2025

Sanded white clay, fern ash glaze.

15.75" H x 23.6" DIA

LB2502

Mendiak

2025

Unglazed white sanded stoneware.

19.5" H x 29.5" DIA

LB2501

Plateau

2025

Sanded white clay, local stones, unglazed.

9.4" H x 16.9" DIA

LB2518

Squeezing Water From The Clouds

2025

Mixed clay, hay ash glaze interior, wood ash glaze exterior.

17" H x 29" DIA

LB2504

Stalling Storm

2025

Sanded red clay, matte white glaze, shiny white glaze, copper oxide rim.

25.6" H x 31.5" DIA

LB2505

The Earth's Surface

2025

Sanded white clay, volcanic glaze interior.

10.2" H x 19.7" DIA

LB2516

The Great Heights

2025

Unglazed white stoneware

19.7" H X 27.5" DIA

LB2512

The Local Peak

2025

White sanded clay, volcanic glaze.

21.65" H X 29.5" DIA

LB2514

The Long Rock Pillar

2025

Sanded White clay, porcelain slip and sand, speckle glaze interior

19.7" H X 24" DIA

LB2509

About the Show

Guild Gallery is pleased to present Grasp the Mountains Then Let Them Go, the second solo exhibition by French Basque Country - based artist Ludmilla Balkis, known for her minimalist sculptures that explore the tension between stillness and movement, nature and the built environment. This latest body of work reimagines one of her most technically demanding forms, ‘Hodei’ — a wide mouth unfurling from a slender cylindrical base — in an all - white palette achieved through bold experiments with glazes and textures derived from foraged natural materials. These sculptures push the limits of structure and materiality, redefining what ceramics can achieve.

 

LEFT: FRENCH ARTIST LUDMILLA BALKIS IN HER STUDIO IN THE BASQUE COUNTRY. RIGHT: ‘MENDIAK’ (2025), SANDED WHITE STONEWARE.

 

“Where Stasis, Balkis’s first exhibition at the gallery, explored balance between motion and idleness, Grasp the Mountains Then Let Them Go reaches further, testing the outermost edges of what clay can do,” says Robin Standefer, Guild Gallery founder and curator. “With extraordinary patience and an intimate understanding of her material, Balkis pushes her signature forms to their absolute limits and the results are truly singular within contemporary ceramics.”

From nearly uniform columnar bases, Balkis’ new sculptures expand into sweeping, fluid canopies, twisting and bending as if swaying with the wind. The forms echo the ancient Pyrenean forests in the mountains surrounding her Basque Country home and studio, where she takes daily hikes seeking oneness with the land and gathering materials. In tribute to this landscape, clay is unearthed, sticks become sculpting tools, and stones are crushed and pressed into her work.

 

 

“THE USE OF THE WHITES REFLECTS A STATE OF TRANSCENDENCE AND A CONNECTION WITH NATURE, EACH NEW MATERIAL IS A WAY OF REHABILITATING THE MATTER OF THE WORLD, TO RECONSIDER THE MATERIALS THAT SURROUND [US] AND TO PAY HOMAGE TO THEM.”

—Ludmilla Balkis

 

 

For her latest Guild Gallery exhibition, Balkis also incorporated local ferns, hay, and fig tree branches, dried and reduced to create the layered pale glazes that define the collection’s distinctive palette.  Balkis has developed a precise, highly disciplined approach to working with clay. With each sculpture, she asks herself: How far can I go before it collapses? Centimeter by centimeter, she coaxes the material to dry in phases to prevent structural failure.

 

 

“THE PROCESS IS HUMBLING, WHEN WORKING AT THESE MARGINS, YOU HAVE NO CHOICE BUT TO SURRENDER TO TIME. I WANT MY SCULPTURE TO RETURN TO NATURE. IT’S ABOUT FINDING TENSION WITHOUT TRYING TO MAKE SOMETHING BIGGER THAN WHAT’S ALREADY BENEATH YOUR FEET.”

—Ludmilla Balkis

 

 

Ludmilla Balkis: Grasp the Mountains, Then Let Them Go opens to the public on April 24, 2025. For more information, visit guildgallery.com.